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Im Never Going to Dance Again Movie Soundtrack

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1984 single by George Michael

"Never Gonna Dance Again (song)" redirects hither. For the song by the Sugababes, see Change (Sugababes album).

"Careless Whisper"
Careless Whisper UK single.jpg

UK seven" vinyl release artwork, besides used for various international releases
Unmarried by George Michael (most territories)/Wham! featuring George Michael (United States)
from the album Make It Large
Released 24 July 1984
Studio Sarm West, London
Genre
  • Pop[1]
  • soul[2]
  • R&B[3]
Length
  • 6:30 (album version)
  • v:00 (single version)
Label
  • Epic
  • Columbia
  • Sony
Songwriter(southward)
  • George Michael
  • Andrew Ridgeley
Producer(s)
  • George Michael
  • Jerry Wexler (original)
George Michael (nearly territories)/Wham! featuring George Michael (United states of america) singles chronology
"Wake Me Upwardly Before Y'all Go-Become"
(1984) 		"Careless Whisper"
(1984) 		"Freedom"
(1984)
George Michael (residual of the earth) singles chronology
"Careless Whisper"
(1984) 		"A Different Corner"
(1986)
Music video
"Careless Whisper" on YouTube
Alternative cover
Artwork for the US 7" vinyl release credited to Wham! featuring George Michael.

Artwork for the US 7" vinyl release credited to Wham! featuring George Michael.

"Devil-may-care Whisper" is a vocal past the English vocalizer George Michael. It was written by Michael and Andrew Ridgeley[iv] of Wham! and was released on 24 July 1984 on the Wham! album Go far Big.

The song features a prominent saxophone riff, and has been covered by a number of artists since its commencement release. It was released as a unmarried and became a huge commercial success around the earth. It reached number one in nearly 25 countries, selling most vi million copies worldwide—2 million of them in the U.s..[5]

Background [edit]

Composition and writing [edit]

In 1981, Michael was working equally a DJ in the Bel Air eating place virtually Bushey, Hertfordshire.[6] Michael explained in his autobiography, Bare, that he conceptualised "Careless Whisper" based on events from his childhood. Michael wrote, "I was on my fashion to DJ at the Bel Air when I wrote 'Careless Whisper'. I have e'er written on buses, trains and in cars. It ever happens on journeys... With 'Careless Whisper' I call up exactly where it first came to me, where I came up with the sax line... I remember I was handing the coin over to the guy on the bus and I got this line, the sax line... I wrote information technology totally in my head. I worked on it for about three months in my head."[7]

"When I was twelve, 13, I used to have to chaperone my sister, who was ii years older, to an ice rink at Queensway in London," he explained. "In that location was a girl there with long blonde hair whose proper noun was Jane. I was a fatty boy in glasses and I had a big shell on her - though I didn't stand up a chance. My sister used to go and practise what she wanted when we got to the skating rink and I would spend the afternoon swooning over this daughter Jane."[eight]

"A few years later, when I was sixteen, I had my first relationship with a girl called Helen," Michael continued.

It had just started to cool off a bit when I discovered that the blonde girl from Queensway had moved in just effectually the corner from my school. She had moved in right next to where I used to stand and expect for my next-door neighbor, who used to give me a elevator home from school. And ane day I saw her walk downward the path next to me and I thought – at present where did SHE come from? She didn't know it was me. Information technology was a few years later and I looked a lot different. So we played a school disco with The Executive and she saw me singing and decided she fancied me. Past this time she was that much older and a big buxom affair – and eventually I started seeing her. She invited me in one day when I was waiting for my elevator and I was ... in heaven.[8]

Michael observed that afterward he stopped wearing glasses, he began getting invited to parties. "And the girl who didn't even see me when I was twelve invited me in," he noted.

So I went out with her for a couple of months but I didn't stop seeing Helen. I thought I was being smart – I had gone from being a total loser to existence a two-timer. And I remember my sisters used to give me a hard time considering they found out and they really liked the offset girl. The whole idea of "Careless Whisper" was the showtime daughter finding out nigh the second – which she never did. But I started another relationship with a girl chosen Alexis without finishing the one with Jane. It all got a fleck complicated. Jane institute out almost her and got rid of me ... The whole fourth dimension I thought I was existence absurd, being this two-timer, but there actually wasn't that much emotion involved. I did experience guilty about the showtime girl – and I have seen her since – and the idea of the song was about her. "Careless Whisper" was us dancing, considering we danced a lot, and the idea was – we are dancing ... but she knows ... and it's finished.[eight]

Andrew Ridgeley came up with the chord sequence on his Fender Telecaster he had received for his 18th birthday.[9] They continued to work together on the music and lyric both at Michael'due south house in Radlett, and Shirlie Holliman'southward aunt's basement flat in Peckham, where Ridgeley was living.[ix] [10]

Demoing [edit]

The original demo was recorded by local music producer Paul Mex, in January 1982 alongside those for "Club Tropicana" and "Wham Rap! (Enjoy What You Do)" in the forepart room of Ridgeley's home (his parents' lounge turned into a makeshift studio) with Mex's TEAC 4-track Portastudio. Considering most of the solar day was spent on Wham Rap!... and Ridgeley's mother had returned home by that bespeak, Careless Whisper had to be recorded in 1 take very quickly. Information technology featured a Doctor Rhythm drum machine, an acoustic guitar (played by Ridgeley) and a bass guitar (played by Dave West), with Michael's vocal (recorded with a microphone attached to a broom handle).[eleven] [12] The overall toll of the recording was £xx (largely due to the rental toll of the Portastudio) and the duo landed a deal with Innervision by Mark Dean on the strength of the demos.[thirteen] [14]

A more than complete and fully realised second demo was recorded on 24 March 1982 at Halligan Ring Heart, Holloway, London with a backing band and a saxophone riff.[15] Withal, on the same day, Michael and Ridgely were called over past Dean to sign a contract in addition to the record deal, which they did at a nearby greasy spoon café. Michael recalls of that twenty-four hour period:

"One of the most incredible moments of my life was hearing 'Careless Whisper' demoed properly, with a band, a sax and everything. Information technology was ironic that we signed the contract with Mark [Dean] that twenty-four hours, the day I finally believed nosotros had number-one textile. That same 24-hour interval we signed information technology all away. But you can never really know what yous are capable of, you lot can never really have that foresight."[15]

Production [edit]

The vocal went through at least two rounds of production. The first was during a trip Michael fabricated to Sheffield, Alabama, where he went to work with producer Jerry Wexler at Muscle Shoals Audio Studio in 1983.[16] [17] Michael was unhappy with the original version produced by Wexler, and decided to re-record and produce the song himself; the second version was the one ultimately released as a single.

Later on the bankroll track and George's song had been recorded, Wexler had booked the acme saxophone player from Los Angeles to wing in and do the solo.[18] "He arrived at xi and should have been gone by twelve", recalled Wham! manager Simon Napier-Bell. "Instead, afterward two hours, he was yet there while everyone in the studio shuddered with embarrassment. He but couldn't play the opening riff the fashion George wanted it, the manner information technology had been on the demo. Just that had been made two years before by a friend of George'south who lived round the corner and played sax for fun in the pub."[18]

While the saxophonist appeared to be playing the part perfectly, Michael told him, "No, it'southward nevertheless non right, you lot encounter..." and he would lower his head to the talkback microphone and patiently hum the role to him nonetheless once again. "Information technology has to twitch upward a piffling just there! Encounter...? And not also much."[18]

Napier-Bell consulted with Wexler over Michael's dispute with the sax audio. "Is there really something George wants that's dissimilar from what the sax player is playing?" Napier-Bong asked.[18] "Definitely!" replied Wexler.

"I've seen things similar this before. There'due south some tiny dash that the sax player is somehow not getting right. Although y'all and I tin can't hear what it is, it may be the very thing that will make the tape a hit. The success of pop records is so ephemeral, then unbelievably unpredictable, we just tin can't have the take a chance of existence impatient. Only this sax player'southward not going to get it, is he!"[18]

The version Wexler produced was released later in the year, as a (4:41) B-side "Special Version" on 12" in the Uk and Japan.

The record label Innervision was going to put out the Wexler version of "Careless Whisper" after the Order Fantastic Megamix as early every bit 1983. Vocal publisher Dick Leahy said that while he could non finish the release of the Social club Fantastic Megamix, he could stop the release of this single on the basis that as a publisher they "have the right to grant the first license of the recording of a tune of which he controls the copyright". He was unable to do anything almost the Club Fantastic Megamix because it was already released fabric. He said: "We knew how large that song could exist, so it was necessary to upset a few people to cease it."[xix] Towards the end of 1983, Michael was as well committed to touring with Wham! to promote Fantastic, so according to him information technology would not accept made sense to release "Careless Whisper" as a solo single in the middle of the tour, despite it being role of the setlist.[20]

Michael afterwards went back to London'south Sarm West's Studio 2 to re-record the track, the backbone of which was done with a live rhythm section in ane take, with "loads of stuff bunged on [overdubbed] afterward" equally Michael added, although the feel of it was basically live.[21] [22]

Michael elaborated on the song's production and how information technology turned out in the end:

"Jerry Wexler did one recording of "Careless Whisper" with me. Then we re-mixed that, which meant re-shooting the video and then we completely re-did the track about 4 weeks before it was due to exist released. When we originally fabricated it I was totally in awe of Jerry Wexler and information technology was the get-go fourth dimension that I had ever felt like that most anybody that I'd worked with. Normally I take problem convincing myself that people know what they're doing. In this case I had to get drunkard in order to sing, I was so nervous. Anyhow, my publisher [Dick Leahy] and I had loads of discussions about whether the record was proficient enough for the vocal and whether there was enough of me in information technology because information technology just did not sound like me. I said 'information technology's bang-up. Jerry's done a great job on it', and for the first time since we'd started I was blind to what was going on because the song was already 2 and a one-half years onetime and I just did non have a clue virtually where else I could take information technology. Eventually I just idea, 'sod this. I'm going to get in and do information technology equally if it had never been done earlier with the musicians nosotros normally use and run across what happens.' The rail was much better because I was relaxed and I recollect that our musicians did a much ameliorate chore than the Muscle Shoals section". [22]

Later hiring and firing several other different sax players, for which the BBC characterized every bit struggling to play all the notes with "the right amount of fluidity and still breathe,"[23] Michael somewhen heard what he was looking for from Steve Gregory.[24]

During an interview with DJ Danny Sunday, Gregory said he was the 9th sax role player to attempt the riff. Gregory said Michael's secretary had phoned him upward midday and asked him to give the solo a endeavour.[25]

"When I got there, information technology was virtually getting on to midnight, and there was another saxophone histrion in the studio, Ray Warleigh, who I knew quite well, and he said 'what are you lot doing here?' And George hadn't showed upward. Then Ray was a bit fed upwards. He said 'Well I'm going, y'all tin can practice it. I've had enough of waiting.' So he left and information technology was just myself, and (record producer) Chris Porter. So I said I've had quite a long day, I'm going to exercise a meliorate job now than I will at 3 o'clock in the morning, then can we try and do something? So nosotros went into the control room and George had already recorded information technology in LA with Jerry Wexler producing it and Tom Scott playing the saxophone line...he said this is what you got to exercise and he played this and I idea 'That is fantastic, why on Earth does he desire to do it once again? I can't play information technology besides as that!' And (Porter) said 'Oh, information technology's a new version, he's done his own production, information technology's a new track, it'due south got to be re-done, he just needs that on the new rail,' so I went in the studio I tried to exercise it and my saxophone is an quondam Selmer (tenor sax) from about 1954 or something and I didn't have that top note. I didn't have a proper note on my saxophone, I had what we call a fake fingering I had to practice to play it. And then it didn't really audio that shine. Information technology didn't sound that great. So having been around for a while, having had a bit of experience, I suggested to him, I said, 'look, if you took it downward by a semitone, a very small amount, I'd have all the proper notes on my horn and we could run across how it sounds. So that'south what he did, he sort of did his calculations and took it down a semitone, then I went out again and I played it in a lower central and when afterward I finished it I went back into the control room and he played it back and he put it support to the proper speed, and as he was playing it back, George walked into the studio, and he said 'Oh, I think we got it!' And so he pointed at me and said, 'You are number 9!'"

The officially released single was issued in August 1984, entering the Great britain Singles Chart at number 12. Inside two weeks it was at number one, catastrophe a nine-week run at the top for "Ii Tribes" past Frankie Goes to Hollywood.[4] Information technology stayed at number one for three weeks, going on to get the fifth acknowledged single of 1984 in the United Kingdom; outsold simply past the 2 Frankie Goes to Hollywood tracks, "2 Tribes" and "Relax", Stevie Wonder with "I But Called to Say I Love You", and Band Assist'southward "Exercise They Know It's Christmas?". The song also topped the charts in 25 other countries, including the Billboard Hot 100 in the U.s. in Feb 1985 under the credit "Wham! featuring George Michael". Spending three weeks at the pinnacle in America, the song was later named Billboard 's number-ane vocal of 1985. The vocal was #i on the polish radio top 500 songs of all time nautical chart – proving its iconic status.

Despite the success, Michael was never fond of the song. He said in 1991 that it "was not an integral role of my emotional development ... it disappoints me that you tin write a lyric very flippantly—and not a peculiarly good lyric—and it can hateful so much to and so many people. That'due south disillusioning for a writer."[19]

Music video [edit]

The official music video (which uses the shorter single version instead of the full album version and was directed by Duncan Gibbins, who previously directed "Wake Me Up Before You Go-Go") shows the guilt felt by a man (portrayed past Michael) over an affair, and his acknowledgement that his partner (Lisa Stahl) is going to find out. Madeline Andrews-Hodge plays the woman who lures George away. It was filmed on location in Miami, Florida, in February 1984[26] and features such locales as Coconut Grove and Watson Island. The concluding function of the video shows Michael leaning out of a top floor balcony of Miami's Grove Towers.[27] [28]

A first original version of the video was edited with the Jerry Wexler 1983 version, and featured Andrew as a cameo, handing over a letter of the alphabet to a night-haired George. This version had a more detailed storyline, but was and then re-edited later.[29]

According to producer Jon Roseman, product of the video was "A fucking disaster".[30] Co-ordinate to Michael's co-star Lisa Stahl, "They lost footage of our kissing scene and then we had to reshoot it, which I didn't mutter about ... And so George decided he didn't like his pilus so he flew his sister over from England to cutting it and we had to reshoot more scenes."[31]

As the band felt they had "screwed up" the video, further footage of Michael singing the vocal onstage was later shot at the Lyceum Theatre, London.[thirty] The video performance (1984 Version) was officially uploaded to George Michael YouTube channel on 24 October 2009. It has over 852 million views equally of 2022.

Track listing [edit]

All tracks are written by George Michael and Andrew Ridgeley.

vii": Ballsy / A 4603 (UK)
No. Title Length
1. "Devil-may-care Whisper" (Unmarried Edit) five:04
2. "Devil-may-care Whisper" (Instrumental) 5:02
12": Ballsy / TA4603 (UK)
No. Title Length
1. "Careless Whisper" (Extended Mix) 6:31
2. "Careless Whisper" (Instrumental) v:02
12": Columbia / 44-05170 (US)
No. Title Length
1. "Careless Whisper" (Extended Mix) six:twenty
2. "Devil-may-care Whisper" (Instrumental) four:52
12": Columbia Promotional / AS-1980 (US)
No. Title Length
one. "Careless Whisper" iv:fifty
ii. "Careless Whisper" 4:50
12" maxi: Epic / QTA 4603 (Britain) – Special Edition
No. Championship Length
1. "Careless Whisper" (Extended Mix) 6:31
ii. "Devil-may-care Whisper" (Jerry Wexler Special Version) 5:34
3. "Careless Whisper" (Condensed Instrumental Version) 4:52
  • Note: The Extended Mix is identical to the anthology version from Brand It Big.

Credits and personnel [edit]

  • George Michael – atomic number 82 and backing vocals
  • Andrew Ridgeley – acoustic guitar (uncredited)
  • Steve Gregory – saxophone
  • Deon Estus – bass
  • Trevor Murrell – drums[nb 1]
  • Chris Parren – keyboards
  • Anne Dudley – keyboards [33]
  • Hugh Burns – electric guitar
  • Danny Cummings – percussion

Credits adjusted from the Extended Mix'due south liner notes.[34]

Charts [edit]

Certifications [edit]

Cover versions [edit]

"Careless Whisper" has been covered past many other artists. Among the near pregnant versions are:

  • Sarah Washington on a dance version that peaked at number 45 on the Great britain Singles Chart (1993).[93]
  • 2Play produced a cover version in 2004. It charted at number 29 in the U.k..[94]
  • Kamasi Washington and El Debarge performed it to pay tribute to George Michael at the 2017 BET Awards.[95]
  • Southward African culling stone band Seether covered the song on their 2007 album Finding Dazzler in Negative Spaces. It charted at number 63 in the US.[96]
  • Dutch rapper Lil' Kleine sampled the chorus for his song, titled "Dansen", on his well-nigh recent anthology Ibiza Stories.[97]
  • Saxophonist Dave Koz recorded a cover version for his 1999 album The Dance, featuring Montell Jordan on lead vocals; in 2000 the song peaked at number 30 on Billboard'southward developed gimmicky chart.[98]

See also [edit]

  • Listing of best-selling singles in the United kingdom
  • List of number-one singles in Australia during the 1980s
  • List of Dutch Top 40 number-1 singles of 1984
  • List of number-one singles of 1984 (Ireland)
  • List of number-i hits of 1984 (Switzerland)
  • List of number-i singles from the 1980s (United kingdom of great britain and northern ireland)
  • List of RPM number-1 singles of 1985
  • List of Hot 100 number-one singles of 1985 (U.S.)
  • List of number-one developed gimmicky singles of 1985 (U.Due south.)

Notes [edit]

  1. ^ The name of Wham!'due south drummer was Trevor Murrell.[32] He is listed on the liner notes equally Trevor Morrell.

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External links [edit]

  • Devil-may-care Whisper sheet music PDF

hollinsfous1999.blogspot.com

Source: https://en.wikipedia.org/wiki/Careless_Whisper

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